Sunday, March 29, 2015

Labels : A Birdman View (Part 1: Comics & Literature)

The movie - Birdman, by large, is centered around a single theme - Labels! To list a few which you come across in the movie: 
1. Comic Books and literature
2. Theater Actors, Movie Stars and Critics

Let's begin with the first one - Comic Books and Literature.

Literature in the broader sense of the word is any written text. Of course if you were to draw a thick line with barbed wires on the spectrum of written text, marking where "literature" ended, it would be drawn just before where Sidney Sheldon or Chetan Bhagats of the world started. Rest of written text falls under the 'popular' category, which is a nicer word for saying - your vocabulary is not large enough to understand what is written by Amitav Ghosh/ James Joyce. Other way of looking at it will be to say that your emotional intelligence is at par with a hormonal teenager, and you have still not grown up to be a part of the real world (of course here I am keeping all the non-fiction works out of the scope of this blog) .

Comics have been though more of a roller coaster ride.  Comics typically stand on three pillars - morals, imagination and wit. A super hero will always have strong moral values. Stories have clear heroes , villains and what is right from what is wrong. The story will be built upon strong imagination by the illustrator, the writer and the reader. Lastly, a good comic book always has good punchlines and a strong sense of sarcasm and wit ( take for example Calvin and Hobbes). Over the period of time, comics grew to become graphic novels, it became more serious. Morality started getting shades of grey, imagination gave way to reality, colored underwear which always attracted too much attention became less noticeable. Comic books suddenly became the badge of honor worn by the nerd and the artist alike.


Now is the real clincher- is comic book/ graphic novel as a work of art equivalent to literature? To put in another context - Is Waltz with Bashir or Dark Knight as good when compared to Hamlet or Schindler's List?

Take for example this story of a young orphan boy who is brought up in a distant land away from his home. He is discriminated for who he is and the only way for him to lead a normal life is to hide his true identity. He doesn't know where he is from and beyond a point can't trust anyone, because he is not one of them. This could well be the plot for next Khaled Hosseni book, or the story of Superman. The only difference is that the instant the book cover reads - Khaled Hosseini, literary bugs will talk about how this kid's foster parents symbolize the absolute sense of morality which is increasingly lost in this changing fabric of society, how this kid grows to become the beacon of hope for an entire generation lost in their self centered world and how Khaled seemingly got inspired by Geeta, as this kid doesn't seek wealth or gratitude for his work, he just does it because he thinks it's his calling.... So on and so forth. However if this book comes with a big artwork of superman and finds its space in the graphic novel section of Crosswords, is when all these depths and layers are lost instantly. "A picture says a thousand words" doesn't hold true in context of comic books.


In my opinion, this is how labels work in context of art. Over a period of time we have resorted to a convenient style of living where everything comes with a label. Be it a book or be it a movie. A super hero comics is not art, it's "popular art". We are comfortable not making our own judgement about the true worth of a book. We would much rather go by what the critics have to say, or the label on the book shelf. Riggan who played Birdman was forever labeled as a Film star, who had to live up to his super hero character he played on screen. Several actors have ended being labeled as a particular type, because we like it when our world looks familiar and fit our labels. And we resent when those labels are broken or changed. What Riggan says as his ending lines on his Broadway production captures his disappointment towards his fans - for who he sacrificed everything - his personal ambitions, his personal life , living the character they wanted him to be, only to find that those fans had moved on, leaving him with an unfulfilled life and a steadily depleting bank account. 

Does that mean that all that is written in comic book is of great artistic value? No, absolutely not. Biggest problems of "Popular art" is that it becomes formulaic. After a point it becomes repetitive, and lacks originality. Comics are built on grand plots- mostly which involve world wide/ inter galactic/ inter universe scale destruction. Real characters are often sacrificed on the altar of plots. This is what differentiates a good graphic novel from a bad one. Just like literature, there is a spectrum of work available, all of which not good, but then all of it is also not bad. But then, to summarily reject everything on the basis of one small sample set is like giving up reading after reading - 3 mistakes of my life. 

To sum it, I feel that both literature and comic books have their place in the world of expressions and art. What is wrong is to approach either with preconceived notions. What is wrong is to judge others on the choices they make, and feel superior by showing the other art form inferior. What is wrong is to pose and try and be something you are not. What is wrong is to read and not feel; is to see but not imagine; look at the cover but not what is inside! 

Birdman

Before attempting to analyze a movie which won best movie at oscars, let's just take a second to attempt understand the possible objective of this movie :
Entertainment : may be
Artsy : Definitely
Entertainment for masses: hell no!
Awards : No comments ( a vigorous head shaking suggesting - hell yeah!)
But then the real question is - does this movie has any real content ?
I think this is where this movie takes the cake. Birdman really brings out the schizophrenic world of movie celebrities, the egos they battle and the egos they nurse. It goes into the classic debates - is pop art really an art ( e.g is comic book a form of literature) and Theatre vs movies.
Plot: Riggan played Birdman, an iconic comic book character 20 years ago which built a multi million dollar franchise. However he forever remained "the Birdman" and never could do much beyond that. With the dwindling fortune for the comic book franchise, his career also nose dived. The movie starts with him putting down his last reserves to put up this Broadway theatre to make his come back as a serious actor. He is somehow able to pull together this group with his daughter (Sam) who has just made it out of rehab, an ego maniacal theatre star(Mike) , his new love interest (Laura) and his manager (Jake). All his ambition comes to a grinding halt when the most revered theatre critic (Tabitha) decides to ruin his play, purely because he is an erstwhile movie star and doesn't belong to the world of theatre, which she has taken upon herself to guard from such outsiders. This leads to climax which brings out Riggan's frustration at the labels which forced him to lead the life he had, and now didn't allow him to make an honest attempt at doing what he wanted..
The way the movie is shot is quite heady, and you will have a tough time understanding what is reality and what is imagined ( read again- artsy), however the characters brought out are very real and very honest, and acting is simply incredible. The movie starts off slow but really picks up its pace towards the end. One thing to note is the background score - lot of jazz drumming, as if they have played Whiplash in the background ( that would explain what might have confused the jury)
In the end to conclude :
Should you watch it : yes, but go in with right expectations
Did it deserve oscars : how does it matter what I say ( they didn't select Dark Knight as the best movie of the year, I really don't get those loonies)

NH 10

As the name and the poster suggests, this is a movie about a road trip gone wrong and a little more. What starts off as a regular trip goes wrong when Meera and Arjun gets themselves involved in an honor killing somewhere in Haryana. This being the central plot of the movie there are many sub plots which gets picked up along the way, such as- safety issues in Gurgaon ( greater Delhi) , callousness on parts of law keepers and accepting crime as part of life, off centered moral standards when it comes to deeply rooted social paradigms like - caste, and most noticeably - women on the power spectrum in Society.
Let's talk about the last part a little more ( spoilers ahead) :
Meera: a confident, smart and self reliant woman of today's age, mostly seen in urban India, who are able to deliver on both professional asks as well as curt replies to snide remarks from male colleagues.
Pinky: A defiant village girl, who tried to take steps beyond the boundaries laid by her caste and her family. However , ends up paying for it dearly.
Pinky's sister in law: The most often referred to image of women in rural (and sometimes in Urban as well) India - the one who gives up her life's dream and ambition for her husband / family. Whose life is laid by the rules of the society and her husband or mother in law
Amma ji (Sarpanch) : Head of household and the village. Men bow down to her as much as the women in house. The woman who has the power to change the society's power equation, instead chooses to uphold what has been happening for ages. The woman who will gladly sacrifice her own daughter on altar of caste, and say - "Jo karna tha woh kiya".
It might just be with a sense of irony that the director depicted how the key to woman liberalization in society lies with women themselves, or may be I am just reading too much into it. Freedom/ Liberty/ Equality is not dished out as part of constitutional rights, it has to be earned daily and repeatedly till it becomes the part of social DNA. And if Women don't help women achieve that, then it will only delay this process of change.
Coming to the movie per se: it's raw, it's real, and it is really really tight (editing wise) . The actors have been spot on with acting, story was pacy, and the music, though underrated, is nice and original. This movie will stay with you long after you have left the movie, and a stiff drink is also recommended to get over the hangover.
In short it is a must watch, if you have the stomach for it ! 

Friday, December 19, 2014

PK : Nunga Punga Alien!

It is not mystery that PK is this season's most awaited movie. The ad time alone (before and during the movie) is long enough for a documentary film or 2 episodes of Big Bang Theory. But how can it not be, when the movie has Rajkumar Hirani and Amir Khan. This duo dished out 3 Idiots which broke all Box Office records. But does PK surpass 3 Idiots or the Munnabhai franchise films by Mr. Hirani, which are nothing short of Box Office legends. 

Coming to the story line, Amir Khan an alien from a distant planet who makes his entry in his birthday attire. Soon enough however his loses his homing device, and is left estranged on this planet with no knowledge of its people, culture and of course "Bhagwan". I must say an average mumbaikar will lose his mind if left beyond thane, stranded in the middle of deserts of Rajasthan is nothing short of being on an alien planet itself. In the next 3 hours, PK learns Bhojpuri, spots dancing cars with amazing accuracy and questions the fundamentals of God, God-Man and religion. Unfortunately for India, this is a topic which is always in discussion and hence its no surprise that the timing of this movie is sublime. 

For sometime now I have come to a conclusion that religion in itself is a method of control, and there are distinct economic models around which is based. While no religion per se is bad, our minds have been so well trained to spot the religion before we catch the name, that well for most of us religion has become synonymous with God. Without being too preachy and in a funny manner, PK attacks the fundamentals of religion and concludes by saying - there are 2 Gods, 1 that is truly the God, and 1 that is the God made by the God-man and the religion. I couldn't agree more! 

Coming to the movie as a whole, let me start by saying that very few things irritate me more in a hall, than a person talking loudly. I found out during PK that the 'lip job gone bad pout' of Anushka Sharma puts those people to shame. For a good part of 1st half I was not able to look at anything other than the 'V for Vendetta'- esque lip job. My sincere sympathies for Virat! I also have a theory on how they chanced upon Amir's wide eyed PK look- a bot-ox job gone wrong. This is a movie, which Amir Khan could pull off in his sleep. All you needed to tell him was - boss Satyamev Jayate ka shooting hai! The resemblance with Satyamev Jayate becomes even more uncanny with Amir's PK avatar crying a river through most part of the last 30 minutes. I think the actor who really stood out was Saurabh Shukla and his potrayal of the God-man. In many way this was a lazy effort by Rajkumar Hirani as the movie had too many similarities with Munnabhai series. I think he could have just swapped Sanjay Dutt and Amir Khan's roles and named it Munna Bhai Alien ! To make it worse even the sound track is nothing great. However by the end of the movie you do feel a little bad for Amir who joins the list of "friend-zoned" aliens of our generation (though I understand his confusion about Anushka, after all her lips were "out of this world")

So to summarize the movie has a strong screenplay, great comic timings, and message which needs to be drilled down in everyone's minds. What lets you down is that lack of "Wow" factor. After all this is a Amir Khan movie and not SRK's circus. You expect better stuff going in, that is where I think this movie under delivers. Having said that I think this is definitely a one-time watch, also as you leave the hall don't forget to donate to the charity fund raised to help restore Anushka's lips - "You should have left that ass-fat where it belonged !"

Sunday, November 2, 2014

Gone Girl : So Wicked, So Good !

Gone Girl is probably not the movie you expect to see when you enter the hall. You are hoping for a suspense thriller kind of a movie which will probably have couple of highlights - a persistent detective and a good plot. Gone Girl has a third wheel to it - a brilliant psychotic villain, which takes this movie to a different level all together. 
Let me stop at this point and ask you to consider these three movies -The Shining, Psycho, Prisoners. While the first 2 are well known horror (and I don't mean the spooky ones here), Prisoners is probably added as the last one because of one simple reason - the horror which a seemingly regular guy can cause, is far more than a platoon of evil spirits from the 'The Ring' can ever do. Gone Girl has been tagged as - mystery and thriller on IMDB, I strongly feel it should also be tagged as horror as well. However I leave that for the viewers to judge for themselves. 

Director David Fincher is well known for delivering several masterpiece such as - Fight club, Zodiac, Seven etc and he doesn't disappoint us here as well. Acting is superb and so is the overall story telling style. Best part however I feel is the way various characters have been developed through the movie. Fury also got released this weekend, however I feel Gone Girl might have just stolen then the thunder away from this Brad Pitt Starrer war movie ( though I do intend to catch it sometime this week). 

My rating : 9.5 

Monday, November 25, 2013

Why you must watch Mausam?

 Before I start let me tell you upfront, I think the question is quite redundant. I have written this in lack of any suitable title.. 
There are several reasons for watching Mausam, let me list down a few.. 
1. An educational film : I have been told that within 1 day of the launch of the movie, central board have had a emergency meeting to include the film in their latest Class 10 curriculum. This movie in a very small time (180 mins or so) runs through all the major historical (terrorist or otherwise) events of last 30 years.. Ayodhya, Mumbai blasts, Kargil, Godhra, 9/11,low quality spare parts of MIGs and in the end operation blue star... I have heard that it took Mr Kapoor (Senior) 3 years to make the movie. Had this not been the case I am sure 26/11 would have also featured in the movie !! 
Final verdict: excellent historical document 
Punch Line: Swiss Police: "We got the wrong Khan" (refer to the posters in "My name is Khan"  : My name is Khan and I am not a Terrorist! )
2. A movie for everyone: This truly is a movie for everyone..Its like the locations have been chosen post discussion with Late CK Prahlad.. Globalised: US, Scotland, Zurich.. , Desi: Mumbai, Ahmedabad, Bottom of Pyramid: some obscure village in Punjab, which doesnt have more than 30 houses, but have a train station.. 
Even the characters have been chosen with true precision of a Marketeer: a village belle... turns foreign babe...comes back to wear saree in a true cosmo house wife style! Ayat (sonam kapoor),is truly an Indian woman! 
Same can be said about Harry (not Potter).. Village boy, good at dancing, uses Vaseline daily (cosmo check!), turns into a hot shot Pilot who is shown suggesting some modifications to the MIGs in a shot (brains check!)  (engineers who spend years getting technical education please note!), can run faster than train (brawn check!), sports a pensive Devdas look when needed (sensitive check!), while is dare devil enough to go rescue a horse and a kid  (Hero material check! )
Finally you can watch this with your entire family (even with retarded friends... oops sorry.. specially with retarded friends!!)
You also need not bother with any steamy sensual scene which might be inappropriate for kids. I

think they would be showing Sonam Kapoor in Village (before) and in Scotland (after) as part of next Loreal ad! 
Verdict: Excellent Segmenting and Positioning!! 

3. Technical excellence: This movie truly represents the high standards of CG in Indian television today! The entire flight sequence, where Harry leads a group of 4 MIGs in firing 2 bunker busting missiles (.5 missiles per MIG), truly represents the excellence in CG standards... I was reminded of Project IGI, which I used to play back in 2003-04 on my AMD run desktop! 

Long story short.. its a must watch, and I would recommend that you leave whatever you are doing, and run to your nearest theatre right now!! (they are running out of ink I heard at Multiplexes, printing tickets ! )

Wednesday, November 20, 2013

Goliyo ki Raasleela: Ram- Leela



So let me begin by asking a simple question - Dude, what's with the name? I mean had it been a little more self- explanatory, it would have come with a video tutorial. I understand the general obsession with length (specially among men), but movie title is really not the place to fight that competition. As in an ad, when you say too much, it mostly means two things: 1. You can't make up your mind about what to say, 2. You think that every darn thing which comes out of your mouth is gold! I am digressing... so coming back to the point : DUUUDDE whats with the name!!?? 

You know, as it might have appeared in the lines above, Ram Leela isn't really that bad. If a new up-coming director or Rohit Shetty had made this movie, I would have really thought highly of that person (even Rohit Shetty). But when the movie comes from someone like Sanjay Leela Bhansali, then you are left wondering- what was he smoking ??

Coming to the movie itself, set in a town in Gujarat, which is torn between warring clans of Rajadi and Sanedas; is inspired from Romeo & Juliet (says, some "people"). The movie in itself has several positives. Sets are grand; colors are rich and plenty; cinematography is excellent. The use of contrasting colors (like red and blue in Holi scene) or single color themed sets (like the song sequence with Deepika in red) is truly a work of art. Its a total visual pleasure (While I can't say the same for the extremely chiseled out Ranveer Singh who refused to wear a shirt; some women might differ). Even in acting department, though a little overdone at times, the movie is pretty decent (Supriya Pathak really stands out). I think, personally, where SLB really out did himself was in his efforts to set a wild wild west kind of a gun slinging society in the heart of Gujarat (with an extra shot of Haryana thrown in between). It was quite bold in efforts, and to certain extent I think he succeeded in doing it. 

However when you come to the heart of the movie - the story, is when you wonder for the second , and the third, and the fourth time - what was he smoking?  Story telling was massively shoddy; characters were rarely built; there was no flow or logic to events. How do you pick up a girl by looking at her for 30 seconds with all lustful eyes; or cut your hand which heals by the time you reach your village that afternoon; or make the person who ran away during a Rajadi- Saneda World War -6, the "Don of Clan"; or turn from a pathological "Rajadi-hater" to mother Teresa in just 1 jadoo ki jhappi; are questions which trouble me when I sleep. I am not averse to fiction as a genre, however I find it easier to imagine that in 1 year the world will be ruled by "Skynet", than to believe that guy after marriage can dare not to pick up his wife's call, especially after he had an all night long drinking session with his buddies. But hey, that's just me!

To conclude, I think I had mentioned earlier (on FB) that for guilt free watching, please to spend less than Rs 200, I think after second thoughts I would say Rs 150 is the limit. 

P.S:
Also, a genuine request to everyone who had compared this with Shakespeare's Romeo & Juliet : please get a copy of the original (its cost less than the ticket at PVR).